Birth of a Christmas Ballet…
A fantastic article about Northern Ballet Theatre and putting on a large-scale ballet in The Independent this week…
What does it take to put on a Christmas dance spectacular? Jonathan Brown goes behind the scenes at Leeds Grand Theatre to witness the organised chaos…
Be part of Northern Ballet Theatre’s future…
View Northern Ballet Theatre Academy’s new brochure for 2010/2011 and find out how you can train alongside the company in our brand new purpose built dance centre. With programmes for all ages and abilities there are opportunities for everyone who wants to dance.
For our Professional Division and Associate Division entrance is by audition only and the closing date for applications is 22nd February so don’t delay, click here to download the form now!
Please give Hannah or Becki a call on 0113 274 5355 if you have any questions.
Male & Female Dancer Auditions
Northern Ballet Theatre is the UK’s leading touring company giving over 160 performances each year in the UK and abroad. Our repertoire is a varied and imaginative mix of classic ballets and newly commissioned works.
We are holding an audition in London on Sunday 24 January 2010 and are looking for the following dancers for our 2010/11 seasons:
Male & Female Dancers
You will need to be technically and physically strong,creative dancers.
Please submit full CV by post (which must include height, weight, date of birth, nationality) and recent full-length classical dance photos and DVD if available to:
David Nixon, Artistic Director, Northern Ballet Theatre, West Park Centre, Spen Lane, Leeds LS16 5BE
Closing date for applications: Friday 15 January 2010
For further information on the Company go to: www.northernballettheatre.co.uk
Free Dance Inset Training Day

Yorkshire Young Dancers Centre For Advanced Training
The Yorkshire Young Dancers (YYD) Centre for Advanced Training scheme, are inviting both primary and secondary school teachers to attend a free and motivating teacher training day hosted by Northern Ballet Theatre (NBT) and Northern School of Contemporary Dance (NSCD).
The day will be aimed at both primary and secondary level teachers, who are leading or aiming to run dance sessions within their school. The programme will:
- Introduce teachers to the Yorkshire Young Dancer Scheme and how their students can become involved.
- Offer advice on how to spot and nurture ‘Gifted and Talented’ students within your school / class.
- Concentrate on creative ideas suitable to Key Stage 2, 3 and 4 National Curriculum.
Teachers of Key Stage 2 will work primarily with Northern Ballet Theatre and teachers of Key Stage 3 & 4 will work mainly with Northern School of Contemporary Dance.
Participants will experience a practical dance session, from their student’s point of view, this will aid in the development of creative lesson planning which can be tailored to suit individual groups. We will also be looking at safe and effective warm up exercise and techniques.
| Date: | 20th November 2009 |
|---|---|
| Time: | 09.00-16.00 |
| Where: | Northern Ballet Theatre Studios, West Park Centre, Spen Lane, Leeds, LS16 5BE |
To book a place on the day, contact Becki at Northern Ballet Theatre on 0113 274 5355 or becki.smith@northernballettheatre.co.uk.
We hope you will be able to join us.
Builders Try Ballet
The construction team building the new Northern Ballet Theatre (NBT) headquarters in Leeds city centre put on their dancing shoes yesterday to take part in a sponsored ballet lesson to raise money for The Prince’s Trust.
15 of the site team were taught to plié, jete and pirouette by one of NBT’s dance education officers, Caroline Burn, as part of Wates Construction’s annual Community Day, which sees employees ditch their day jobs for local community and fundraising projects.
The builders learnt ballet moves and explored some of the themes from A Midsummer’s Nights Dream before putting their work together to share with colleagues and NBT Academy students. More used to lugging bricks and concrete, the bending and stretching proved tutu much for some.
BBC Look North was on hand to capture the builders doing ballet… [http://news.bbc.co.uk/1/hi/england/8262012.stm]
Ballet on Briggate
Jo Dean of Northern Ballet Theatre tells us all about the great day in the heart of Leeds…
Saturday morning at 8.30am it was pretty cold on Briggate as Litestructures pulled their vans up in front of Debenhams and started unloading the stage for our Ballet on Briggate event. We had a couple of hours in which to get the stage and banner, generator and sound system setup and to blow up hundreds of balloons so it was all hands to the deck.

Preparing for the afternoon's performances and setting the stage.
Admin staff from all departments, Friends of NBT and parents of the Academy students all helped to give out leaflets throughout the event, to hand out cake and to talk to the public about NBT. There was a real interest from the public about what we were doing and why we were performing in the centre of Leeds.

Lots of information about Northern Ballet Theatre & Phoenix Dance as well as that essential ingredient, cake!
Acting as runner for the event, my job was to make sure that the performers were ready to go on stage and that we kept on track with the schedule. I think this was probably the best job to have as all the running around to check on everyone kept me warm in the chilly breeze! The poor performers threw on all their warm clothes and coats the second they got off the stage. The Phoenix dancers in particular, with their bare feet, looked very cold.
The audience however, seemed oblivious to the cold as some of them stood for the whole two hours watching the performances, eating cake and having a go at some moves on our ballet barre. I think some people were surprised to happen upon a ballet performance in the middle of Briggate while they were doing their shopping, but they were soon moving closer to the stage to get a better view.
The whole event went very quickly and it was all too soon that we were packing up boxes of leaflets and taking down the banners. After all the fresh air and running around, I was exhausted but had really enjoyed meeting the public and talking to them about all the opportunities NBT could offer them.

Professional dancers and Academy students put on a great show for an enthralled crowd.
Dracula Returns to Whitby

Christopher Hinton-Lewis and Martha Leebolt, photo by Lisa Stonehouse
Count Dracula made a dramatic return to Whitby Abbey yesterday during a special photo-shoot organised by Northern Ballet Theatre and English Heritage.

Christopher Hinton-Lewis as Dracula and Martha Leebolt as Mina at Whitby Abbey. Photo: Lisa Stonehouse
NBT premier dancers Christopher Hinton-Lewis and Martha Leebolt, dressed as their characters Count Dracula and Mina, visited Whitby Abbey to explore the place where Dracula first set foot in England.
NBT was offered the rare opportunity to shoot at Whitby Abbey thanks to English Heritage. Nicola Bexon, marketing manager for English Heritage, said:
“We’re celebrating all aspects of Whitby Abbey’s history this year, and NBT’s production of Dracula fits perfectly with our autumnal exploration of the Victorian fascination with the Gothic. Having dancers from one of the UK’s best dance companies bring two gothic icons ‘alive’ at the site is the perfect precursor to our Days and Nights of Victorian Gothic in October!”
To learn more visit the English Heritage website.
Chris and Martha took inspiration from their visit to Whitby for their preperations for their roles in Dracula which returns to the NBT repertoire from Thursday 10 to Saturday 19 September only at the West Yorkshire Playhouse.
A Trip to the Theatre

We are delighted to launch our new interactive virtual theatre visit, which is now available to use online as preparation for a trip to the theatre or as a fun activity for a school class. This colourful, informative feature shows children what to expect when visiting the theatre and gives them an insight into a venue that they might not be familiar with.
Why not explore the feature during an IT lesson, or as part of their arts provision. The feature includes a quiz on how to behave at the theatre, so is the perfect preparation for their visit to the theatre.
Spend a year with NBT – 2009 desk calendar on sale now



Northern Ballet Theatre’s 2009 desk calendar is on sale now. Featuring stunning photography from our forthcoming repertoire by exceptional photographers such as Steve Hanson, Bill Cooper, Merlin Hendy and Darren Goldsmith, and priced at £4 per calendar plus postage, the calendar is an excellent Christmas gift.
To place an order please write to NBT enclosing your name, delivery address and contact phone number. Please tell us how many calendars you would like to order and enclose a cheque (made payable to Northern Ballet Theatre Ltd) for the full amount including postage (see rates below).
Send your order to:
2009 Calendar
Northern Ballet Theatre
West Park Centre
Spen Lane
Leeds, LS16 5BE
Please note we are currently unable to accept credit/debit card orders.
Postage rates per order:
1 calendar = 56p postage
2 calendars = 81p postage
3 calendars = £1.41 postage
4 calendars = £1.76 postage
5 calendars = £1.76 postage
All calendars will be posted second class.
Special offer for the Friends of NBT
For any orders of 4 or more calendars we’ll give you 1 calendar free. Please include your Friends membership number in your order.
Price of calendar includes VAT at 17.5%
Charity No: 259140
VAT No: 146 6307 66
Company Registration No: 947096
Registered in England and Wales
Rym Kechacha Weblog 2

“We are at the beginning of the long winter tour of Nutcracker. Last week was the last week of A Midsummer Night’s Dream for a while, and this got me thinking about this well-loved, brilliant ballet. I have always been a voracious reader, and among the books I love reading are old ballet books. There is a wealth of information written by balletomanes and critics about ballet in Britain when it was beginning to take off as a serious and attended art form. I find this era is so fascinating, and it is the role of the touring ballet troupes who travelled the length and breadth of the British Isles to bring ballet to the masses, and the reaction of…”
Read the rest of this post on Rym’s blog
New momentum galleries
There are new galleries in the events section of the momentum site
The page now features photographs of all previous momentum events plus details of future ones…
A Midsummer Night’s Dream up for award

We’re delighted to once again have been nominated for a Manchester Evening News Theatre Award for David Nixon’s production of A Midsummer Night’s Dream at the Palace Theatre.
Also nominated in the dance category of the MEN awards are Don Quixote, from the Kirov Ballet at The Lowry, Nederlands Dans Theater, at The Lowry and
Push, with Sylvie Guillem and Russell Maliphant at The Lowry. The winners will be announced at a glittering ceremony featuring stars of stage and screen on December 2 at the Midland Hotel in Manchester.
NBT won the dance category last year for David Nixon’s production of The Three Musketeers.
You can read all the nominations on the MEN site
Casts for The Nutcracker in Hull

Castings for The Nutcracker at New Theatre, Hull.
4 – 8 November 2008
Box Office: 014822 226 655
Book Online
Tuesday 4 November (EVE)
Clara – Pippa Moore
Nutcracker – Christopher Hinton-Lewis
Drosselmeyer – Darren Goldsmith
Sugar Plum Fairy – Keiko Amemori
Cavalier – Hironao Takahashi
Wednesday 5 November (EVE)
Clara – Christie Duncan
Nutcracker – Ashley Dixon
Drosselmeyer – Kenneth Tindall
Sugar Plum Fairy – Martha Leebolt
Cavalier – Martin Bell
Thursday 6 November (MAT)
Clara – Isabella Gasparini
Nutcracker – David Ward
Drosselmeyer – Christopher Hinton Lewis
Sugar Plum Fairy – Julie Charlet
Cavalier – John Hull
Thursday 6 November (EVE)
Clara – Pippa Moore
Nutcracker – Christopher Hinton-Lewis
Drosselmeyer – Darren Goldsmith
Sugar Plum Fairy – Keiko Amemori
Cavalier – Hironao Takahashi
Friday 7 November (EVE)
Clara – Isabella Gasparini
Nutcracker – David Ward
Drosselmeyer – Christopher Hinton Lewis
Sugar Plum Fairy – Julie Charlet
Cavalier – John Hull
Saturday 8 November (MAT)
Clara – Christie Duncan
Nutcracker – Ashley Dixon
Drosselmeyer – Kenneth Tindall
Sugar Plum Fairy – Martha Leebolt
Cavalier – Martin Bell
Saturday 8 November (EVE)
Clara – Ayana Kanda
Nutcracker – Hironao Takahashi
Drosselmeyer – Steven Wheeler
Sugar Plum Fairy – Georgina May
Cavalier – Yi Song
Rym Kechacha Weblog

Rym Kechacha is a dancer with Northern Ballet Theatre, joining the company from The Central School of Ballet in August 2008. While at Central School Rym kept a weblog for Ballet.co.uk and the entries continue now.
Nutcracker Programme available for Download
David Nixon’s magical ballet returns to the stage this season, visiting Hull, Woking, Milton Keynes, Bath and Leeds over Christmas.
For a more detailed look at this production before you book, you can watch the trailer and download the programme here.
New Nutcracker E-Flyer
The Nutcracker – On Tour this Autumn Winter Season
The production will be visiting Hull, Woking, Milton Keynes, Bath and Leeds between now and Christmas.
Click here for full tour details
Milan 2008
I arrived at Leeds/Bradford airport early as a couple of us had checked into the lounge and wanted to get airside to take advantage of the facilities, I’ve flown nearly eighty thousand miles in the last twelve months and I’m almost robotic in my actions at an airport these days. Once on the plane the iPod was on and I try and grab a brief snooze. Landing at Milan Bergamo some two hours later, we shuffle through immigration and baggage reclaim and onto a waiting coach to take us to the airport.
We arrive at the hotel and Steve Hughes our Company Manager, arranges for the crew to get checked in first as we’re expected at the venue in a little under an hour. A quick wash and brush up and we congregate in the foyer of the hotel and walk to the venue.I always have a slight feeling of trepidation when going to a foreign venue. In the UK I’ve been visiting most of the number one touring venues at least once a year for years, sometimes I’ve been back a few times in the same year. You know what to expect, you know the people and we have an understanding of each other. When you’re abroad, it’s not just the language that is a barrier, its people’s methods too. We all do things in different ways, and everything takes much longer to achieve then you would wish.
We got to the venue just as Jimmy Kirk our amazing driver had arrived from Leeds, having left late on Sunday evening, three days before. Jimmy is without exception the best driver it has been my pleasure to work with, a vital part of Northern Ballet Theatres Technical operation.
We were met by several of the Italian technicians, and the Stage Department struck gold straight away with Nico, the local carpenter. He was very helpful, spoke great English and enjoyed our feeble phrase book attempts at speaking his mother tongue.
In fact so good was Nico that we presented him with one of our ratchet spanners by way of a thank you for all his efforts.
It was as well Nico was a helpful fellow as the first problem was minutes away. As Jimmy reversed the trailer in, it became obvious that it was two big to fit through the gates to the theatre and so everything was unloaded and carried from the gates, round the side of the theatre to the loading doors. Not a good start.
The venue, built in the 30s and still with many original features was smaller then we are used to and was quite run down. The Stage Department set about laying the dance floor and checking out the stage masking, whilst the Electrics team began the process of explaining what they wanted to the Italian electricians.
With the floor down and Nico having prepared the masking prior to our arrival we on Stage found ourselves in quite good shape early on, Electrics however were coming up against numerous problems with the local power supply and state of the local equipment. (If you use that power for the stage, there won’t be any lights in the dressing rooms was my favourite of the evening)
We have stringent Health and Safety laws in the UK and it’s only when you see how dangerously other countries operate that you really take appreciate how safe the theatres at home are. With Electrics up against it the Stage Department all became electricians for the rest of the evening and it was a great sense of pride to me to see my team setting about the task so diligently.
With the time fast approaching 10pm and not really having stopped since we left home some 14 hours previously we did what all good theatre people do after work and went to the pub for a well earned pint. The Italians proved to be great hosts and we sat at a street side bar / café for a couple of hours soaking up the atmosphere of Milan and talking through the trials of the day.
Morning brought the sight of Sid Taylor my deputy managing to get through four plates of breakfast, croissants, full fry up, cold meat and cheese platter and then back for more croissants when he realised, there were custard ones as well as the plain ones he had as a starter three courses previously.
We were due in at 11am but made the decision to leave the hotel just after 9am and get in early. Electrics were well into the focus by the time we arrived and we set about dressing the stage and getting ready for class. The dancers arrived for class and we went next door into the adjoining design museum for a coffee. If there’s one thing the Italians know about its coffee. I also managed to get out during class to a local shop near the theatre and pick up some really nice olive oil, flour and semolina flour as I’m a keen cook and really wanted to get some authentic ingredients for my kitchen.
The rest of the day was filled with rehearsals, which we did in reverse order of the performance so that once finished we were set up for the start of the show. Northern Ballet’s rehearsal went well and we smoothed out a few problems, and then set up and rehearsed the other two acts. With about an hour to go we were ready for the show and managed to grab a Panini from the little van outside the theatre, which was good.
The show passed by pretty uneventfully for us, there were a couple of annoying technical hitches and a frantic interval change from Opera North’s piece which involved a band fully miked up onstage back to a clear stage ready for Northern Ballet in just over ten minutes. The dancers of the Company did what they do best and for me stole the show with room to spare. The dancers had had to suffer their fair share of problems during the show and had been treated quite rudely by several people whilst they were trying to keep limbered up for their 10pm performance.
With the show over and in quite a sombre mood we set about the get out and taking everything down and loading it back on the lorry…only no one had the key for the gate, the gate I mentioned earlier that the lorry wouldn’t fit through. So we couldn’t even carry the stuff round to the lorry. Another route had to be found and the shortest route available to us was up a flight of fire escape stairs through front of house out to our now repositioned lorry.
Everyone set about the get out like Trojans and in a little over an hour we were out of the theatre and loaded ready for Jimmy to return to the UK. After a long day like that we all needed a cool refreshing drink and pretty soon the jokes were flowing again and the humour that is a large part of our daily lives had returned.
The morning came and we checked out and wondered around the local area having some more beautiful coffee until it was time for the transport back to the airport.
It was a nice feeling to touch down at Leeds/Bradford airport and as we all departed for home thoughts turned to A Midsummer Night’s Dream fit up on Sunday at Bradford.
Steve Wilkins
A Midsummer Night’s Dream – Bradford Casts

Theseus – Hironao Takahashi
Hippolyta – Keiko Amemori
Hermia – Georgina May
Helena – Pippa Moore
Lysander – Kenneth Tindall
Demetrius – Christopher Hinton Lewis
Puck – Ashley Dixon
Bottom – Darren Goldsmith
Wednesday 22 Oct (EVE)
Theseus – Martin Bell
Hippolyta – Keiko Amemori
Hermia – Lori Gilchrist
Helena – Christie Duncan
Lysander – Yi Song
Demetrius – Tobias Batley
Puck – Sebastian Loe
Bottom – Steven Wheeler
Thursday 23 Oct (MAT)
Theseus – Darren Goldsmith
Hippolyta – Pippa Moore
Hermia – Hannah Bateman
Helena – Michela Paolacci
Lysander – Tobias Bately
Demetrius – David Ward
Puck – Thomas Aragones
Bottom – Michael Berkin
Thursday 23 Oct (EVE)
Theseus – Hironao Takahashi
Hippolyta – Keiko Amemori
Hermia – Georgina May
Helena – Pippa Moore
Lysander – Kenneth Tindall
Demetrius – Christopher Hinton Lewis
Puck – Ashley Dixon
Bottom – Darren Goldsmith
Friday 24 Oct (EVE)
Theseus – Martin Bell
Hippolyta – Keiko Amemori
Hermia – Lori Gilchrist
Helena – Christie Duncan
Lysander – Li Song
Demetrius – Tobias Batley
Puck – Sebastian Loe
Bottom – Steven Wheeler
Saturday 25 Oct (MAT)
Theseus – Darren Goldsmith
Hippolyta – Pippa Moore
Hermia – Hannah Bateman
Helena – Michela Paolacci
Lysander – Tobias Bately
Demetrius – David Ward
Puck – Thomas Aragones
Bottom – Michael Berkin
Saturday 25 Oct (EVE)
Theseus – Hironao Takahashi
Hippolyta – Keiko Amemori
Hermia – Georgina May
Helena – Pippa Moore
Lysander – Kenneth Tindall
Demetrius – Christopher Hinton Lewis
Puck – Ashley Dixon
Bottom – Darren Goldsmith
Performance Day in Milan



All in all a very successful day. Whilst the Technicians returned to the theatre to complete the fit up, the dancers had a few more hours to explore Milan this morning before the taxis arrived at the hotel to take them to the theatre for class. The afternoon was spent with technical rehearsals for all 3 companies in the performance. The ballet was first to rehearse so there was more free time for the dancers whilst rehearsals continued for the others. Our Technicians were providing the technical support for the other companies so work continued for them.

The performance was scheduled for 8.30 with a reception beforehand. The first half was rather long and we eventually got to the interval at about 10pm. A quick change and then on with the ballet. First, we had the Nutcracker pas de deux danced by Julie Charlet and John Hull, then the pas de deux from Three Musketeers danced by Hironao and Keiko Takahashi, then the Dracula pas de deux danced by Martha Leebolt and Chris Hinton-Lewis. The final offering was Rhapsody in Blue.
The dancers gave excellent performances and all was received well by the audience. As far as Leeds City Council and Marketing Leeds are concerned, the week in Milan has been a triumph with the cultural offering playing a major part in the success.
A bit of free time on Friday morning before the flight back to Leeds (as long as the general strike doesn’t affect anything!)
Leeds a Milano
Leeds in Milan is a five day festival of commerce and culture, designed to give Leeds businesses the opportunity to showcase their sectors, skills and expertise in Milan. The event is being managed and promoted by Marketing Leeds who recognise that culture is an important part of what Leeds has to offer as a city.Northern Ballet Theatre has been invited to take part in this cultural offering alongside Opera North and Leeds Met University and their anateresa project.

This morning 12 NBT dancers plus support staff set off for Milan. It really is going to be a flying visit. Fortunately Jet 2 fly direct from Leeds/Bradford to Milan so not too early a start. Flight time was only about 2 hours so we arrived at Bergamo airport at about 3.30pm and transferred to our hotel – the Atahotel Fieramilano which took about 45 minutes. Quite a muggy afternoon in Milan – about 23 degrees

After check in, the dancers were free to explore the city whilst the Technicians made their way to the Triennale Theatre to start the fit up. Opera North and Leeds Met are providing the first half of the performance with NBT making up the second half. We will be performing pas de deux from Dracula, pas de deux from Three Musketeers, pas de deux from Nutcracker and Rhapsody in Blue from our Gershwin programme – so quite a diverse offering to show off our range.
Update:
A good evening on all fronts. Work in the theatre went well and although there were some issues getting the trailer access to the get in to the theatre, the work was completed on schedule and the Technical Staff were back at the hotel for 11pm. As always, little technical issues to resolve but all bodes well for tomorrow. The Company had various dining experiences but all appeared to be happy with their night out in Milan.

This is where we are staying!!

This is where we would like to be staying (The Four Seasons)
Just for the record, taxi drivers in Milan are a nightmare. Fares are extortionate and they seem to manage to find the most convoluted route to get anywhere!!
Mark Skipper
Hannah’s diary part III

Hannah Bateman updates us on news from the tour:
I have just seen it’s a month since I last wrote so I have some catching up to do! The week’s run at the West Yorkshire Playhouse went very well and with hindsight I think I should have appreciated the scale of the WYP stage a little more! The next two venues we took A Tale of Two Cities to were Nottingham and Sheffield and although these are wonderful theatres with very warm audiences, they are not known for their stage size and are also raked (on a slope)!
This production was slightly unusual as we only had two casts. We normally work with three to four casts and the corps de ballet are interchangeable within each one. I only performed in the first cast so I had the rare chance to sit out front and watch the show as an audience member. I tried to sit and watch the show as if it were new to me and not just look at the part I also perform. The only time I was caught out was when I was sat flinching in preparation for the gunshots! I have to say, I really enjoyed the show: I thought it was a very attractive piece, the costumes and the lighting. For us on stage the lighting felt very dark and didn’t allow for much sight beyond the orchestra pit but from out front it looked fabulous and there were moments when Georgina looked like she had been borrowed from the set of a Jane Austen adaptation.
The week after the Playhouse saw us back at base at West Park in rehearsals for The Nutcracker and A Midsummer Night’s Dream and, for the girls, La Bayadere. We also had a few rehearsals for Rhapsody in Blue from I Got Rhythm, which is one of the pieces we are taking to Milan. David and Yoko weren’t there for the whole of the week as they had both travelled to Slovenia to set David’s Nutcracker. So, while we rehearsed in Leeds for two weeks, David and Yoko were representing NBT in Slovenia and Kenny and Keiko were representing us in Miami. Out of the many couples in Miami, from major companies around the world including the likes of Stuttgart Ballet and Royal Ballet of Flanders, Kenny and Keiko were one of only two couples to be reviewed very warmly in the press. It was a huge accomplishment to be invited there and to be reviews so positively is the icing on the cake. It seems that NBT is becoming internationally recognised, not just for its dancers but also its director and his choreography.
Dan kept us all busy and base with the help of Andria Hall. She is a great coach and soon had all the Snowflakes and Flowers under control, looking clean, crisp and very together. She also worked a lot with the pas de deux couples and I watched a couple of those rehearsals; it still amazes me that we have four couples who can all do the pas to such a high standard – not bad for a company of just 40 dancers, The fouettes at the end of all that work for the girls are so hard and they can all do them so easily and actually make them look fun and exciting! Yi Song has come into his own this season and looks very Prince like – he must have been inspired by the Olympics in his home country. It’s a joy to watch someone’s talent really start to blossom.
Our next venue on tour was Nottingham. I love this theatre as it holds special memories for me. I loved dancing one of the sisters in Beauty and the Beast there in my first year; dancing the Nurse to Chiaki’s Juliet and I also danced my first Juliet there as well. But it is raked so Tuesday tech days are always difficult. You get to the stage after two days off; it’s raked so you know it will take double the time to get back on your legs after the weekend. It’s always amusing spotting the new members faces as they realise they have to negotiate the rake. Some have never been on a rake before and it’s scary at first but you soon get used to it. There will always be those who don’t get affected by it though – oh to be Keiko for a day! Also, because the stage slopes down, you must remember to use the brakes on props. We almost lost Scrooge to the orchestra pit one year as his bed went wheeling down. The audiences in Nottingham, while not huge, were warm and it felt like they were really captured by the piece.
The week after saw us in Sheffield, again a lovely theatre but raked and even smaller than Nottingham. We had to change some entrances and exits of people and props but I think it worked well in the space and provided an intimate experience. Space is so important to dance; it can make the atmosphere cosy or cold and also help or hinder our work. It did feel like we were doing Flintstone runs at times (where you run on the spot imagining you are running a great distance at speed) but Dan assured us we didn’t and he was pleased with the shows.
We are back at West Park now for another week and in full Nutcracker mode as well as keeping A Midsummer Night’s Dream ticking over. Midsummer will see all the new members of the Company on stage and by the time we open The Nutcracker in Hull I am sure they will be feeling a lot more confident and comfortable.
Milan this week for a lucky few of us so I promise to write all about that and I may even test my technology knowledge and try to include some photos! The end of last week saw a photo shoot for Wuthering Heights, Swan Lake and La Bayadere pictures for next season, which will be on us before we know it. In the back of our minds is the thought that this year we will be at home in Leeds for Christmas and not on tour. But that is far off – before that we have over 50 shows of The Nutcracker – that’s a lot of snow!
Till next time. Hannah xoxo
New building for dance given green light by planners

Planners at Leeds City Council have given the green light to plans for a new centre of excellence for dance in Leeds. The new building will be home to Northern Ballet Theatre (NBT) and Phoenix Dance Theatre (Phoenix) and will be built on Quarry Hill next to the West Yorkshire Playhouse, Yorkshire Dance, the BBC and the Leeds College of Music. The designs by the Strategic Design Alliance, a partnership of Jacobs Architecture and Leeds City Council’s in-house architectural consultancy, were passed at a planning meeting earlier today.
The ambitious plans are for a six-storey building consisting of seven dance studios including a 200-seat studio theatre, office space, a health suite and a costume workshop. Alongside the two professional companies the building will eventually house a full-time classical dance school as well as Leeds Metropolitan University’s dance degree courses. The building will open in summer 2010.
In February NBT and Phoenix launched momentum, the campaign to raise the remaining £1.5million of the £12million building. To date the campaign has raised more than £800,000 from a number of trusts, foundations and individual donors. Mark Skipper, NBT’s Chief Executive is spearheading the momentum campaign: “The planning decision means that we have reached a key milestone in this project’s progress. With building work due to start on site in four months time we are now looking for a number of businesses and individual donors to step forward and help us meet our fundraising target and achieve our ambitions.” Anyone wishing to support the momentum campaign should visit www.building-momentum.co.uk or contact Melanie Aram at NBT at melanie.aram@northernballettheatre.co.uk
The new building has received wide support from across the region with Leeds City Council investing £6.7million, including a contribution from Yorkshire Forward, and Arts Council England, Yorkshire investing £3.5million through the National Lottery.
Andy Carver, Executive Director of Arts Council England, Yorkshire said: “It’s great news that this exciting project has reached such a significant milestone. Two of the country’s leading dance companies will have a state-of-the-art new home in Leeds, bringing great dance to many more people in Yorkshire and beyond.”
Next Season Online

Just a note to say that the Tour pages on www.northernballettheatre.co.uk have been updated with the latest details and information about next season’s productions…
Looking back at Beijing
The Learning & Access Team have now returned from Beijing and are settling back into the Autumn Tour. Jo Dean sums up their involvement in the project that was part of the Young Advocates Progamme – Developing the Paralympic Spirit.
The week in Beijing went very well, with our workshops and performance a great success. The group worked so well together and you could see the confidence of the participants grow over the course of the week. Their ability to communicate, despite the language barrier was brilliant, using their movement to show each other what they meant. The group performed really well in the showcase at the end of the week, given the very limited amount of time we had to bring the piece together and rehearse, and the participants seemed to get a real buzz from performing in front of the other Young Advocates.
We all had a wonderful time in Beijing, with so many fantastic opportunities and experiences, from attending the opening of the Paralympic Games at the birds Nest Stadium, to meeting Prince Edward at the Ambassadors reception. But I think the bit we enjoyed most was getting to know and work with a group of really inspirational young people who were keen to learn and develop their skills, and who created a positive, welcoming and exciting atmosphere throughout the week that shows what a benefit the Young Advocates will be to developing the Paralympic Spirit in their communities.
Dancers head to the Castle for a Knight at the Theatre

NBT dancers Tobias Batley and Lori Gilchrist visited Nottingham Castle on Wednesday 17 September to pay homage to Dame Laura Knight whose exhibition Laura Knight at the Theatre is on display there until 28 September.
The exhibition includes a major body of works by the leading British Impressionist, some of which have rarely, if ever, been exhibited before. Knight, who was born in Long Eaton and grew-up in Nottingham, had a long love affair with the theatre and it is this passion that is conveyed through the striking works in the exhibition.
The Company is currently performing A Tale of Two Cities at the Theatre Royal in Nottingham.




Russian dance for new museum

NBT Dancers John Hull, David Ward, Thomas Aragones, Sebastian Loe and Ben Mitchell performed the Chinese and Russian dances from The Nutcracker in Leeds’ City Square to help celebrate the opening of the new City Museum. The museum will feature a costume from NBT’s A Sleeping Beauty Tale and the chance to discover dancer Lori Gilchrist’s dance journey.
NBT will visit Leeds Grand Theatre with performances of The Nutcracker from 17-31 December 2008.
NBT help celebrate the opening of Leeds Museum

Saturday 13 September, 11am
Opening of Leeds City Museum
Millennium Square, Leeds The new Leeds City Museum throws open its doors to the public this weekend and dancers from Northern Ballet Theatre will make a special appearance to start the celebrations in spectacular style. Five of our male dancers will perform the Chinese and Russian dances from The Nutcracker at 11am on an open-air stage in Millennium Square. A range of dance groups from Leeds will then perform throughout the weekend. The performances and the museum are free so why not come down and check it out.
The new Leeds City Museum throws open its doors to the public this weekend and dancers from Northern Ballet Theatre will make a special appearance to start the celebrations in spectacular style. Five of our male dancers will perform the Chinese and Russian dances from The Nutcracker at 11am on an open-air stage in Millennium Square. A range of dance groups from Leeds will then perform throughout the weekend. The performances and the museum are free so why not come down and check it out.
Read more about the opening of the Museum at: http://www.leeds.gov.uk/cityMuseum/City_Museum/Launch_of_Leeds_City_Museum.aspx
Learning & Access in Bejing
Following the success of their visit in December, the Learning & Access department have returned to Beijing as part of the British Council’s Young Advocates Programme – developing the Paralympic Spirit. Organised by the British Council and the China Disabled Person’s Federation, the week long forum involves 240 disabled and able-bodied young people, aged 18 – 25 from China, Great Britain and across the globe taking part in activities to empower them to be leaders in their communities and develop the Paralympic Spirit.
Dance Education Officers Sophie Alder and Caroline Burn, along with musician Bill Laurance will be leading dance workshops with a group of 30 young people with a range of experience and abilities, with the aim of increasing their confidence, communication and leadership skills, and creating a dance piece to be performed in a showcase at the end of the forum.


Learning & Access Co-ordinator, Jo Dean, will be sending us updates throughout the week.
Arriving in Beijing on Saturday after a long flight, we just had time to drop off our bags before we were ushered straight into the main hall to meet the young people and listen to their aims for the forum. The afternoon was spent familiarising ourselves with the space we will be working in, which is an amazing hall, complete with a grand piano and selection of instrumentsfor Bill!
After an early dinner, everyone on the project was taken to the Bird’s Nest Stadium for the opening ceremony of the Paralympic Games. The stadium is an incredible structure and the atmosphere inside was fantastic, particularly when the Chinese athletes were introduced! The ceremony involved some spectacular dances with many thousands of dancers, as well as music, aerial acrobats and fireworks, and much flag waving by the crowd. The President of China having officially opened the Games and the flame having been lit, we were struggling with jet lag and were very happy to get into our beds.

Today (Sunday) was the first day of workshops, so we finally got to meet the group we will be working with. After introductions and the warm up, the participants were straight into learning a short sequence which they then, working in small groups, adapted and developed into a short piece. Numerous photographers and members of the press have been in and out of the workshop today, all eager to see what the group is doing and find out how the able-bodied and disabled people are able work together in dance. At the end of the workshops today there will be a party for all the young advocates, so it will be a chance for us to find out what everyone else has been doing in their first day of workshops.

A Tale of Two Cities – Teacher’s Resource Pack
There is a new Teacher’s Resource Pack in the Learning & Access section of our website.
New momentum videos
There are two new videos from the architects on the momentum website, for a sneaky preview of what the new studios, performance spaces and other facilities will look like.
Watch the videos and find out how you can help us jump the last hurdle…






